Date: Thu, 1 Feb 1996 14:40:11 EET DST From: Sauli Ingman <INGMAN@KATK.helsinki.fi> To: hansalmi@utu.fi Subject: Re: Dissertation Abstracts in Music - 5
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> Subject: Dissertation Abstracts in Music
>
> > [Back to index]
> >
> > Muir, Theresa
> >
> > The Reception of Richard Wagner in the Victorian Musical Press
> > (1850-94)
> >
> > Ph.D. Program in Musicology - CUNY
> >
> > This examination of the reception of Richard Wagner (1813-83) in the
> > contemporaneous English musical press deals with the period
> > preceding the championship of Wagner in England by George Bernard
> > Shaw (1856-1950) and Ernest Newman (1868-1959). The time frame also
> > encompasses Wagner's dominance of European cultural life from the
> > 1860's through the decade following his death. Sources indicate that
> > Wagner was a figure of overwhelming significance in England, and
> > that distinct forms of "Wagnerism" developed in England, influencing
> > all the arts. The topic investigates influences of intense
> > nationalism, religious views, the Aesthetic movement and Victorian
> > "morals" on the reaction to Wagner's innovations.
> >
> > Contemporaneous periodicals, a rich source of contact with
> > historical milieux, have been neglected with regard to Wagner in
> > England. This period saw an explosion of concert attendance, the
> > beginnings of the study of musicology, and the recognition of the
> > critic as a powerful voice in artistic interpretation. Documentation
> > is therefore, abundant. A thorough explication of the contents of
> > ca. 80 journals promises to show Wagner in an unprecedented light,
> > along with certain other figures who were previously considered
> > historical footnotes.
>
>
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